Artists

We have spent the last 2 years building, designing and tweaking this plug in so that it captures the feel and sound that you have come to expect from Two-Rock.

It’s not surprising at all how good this plugin sounds. Knowing the folks at Two-Rock, they wouldn’t be able to rest unless it felt real and it really does.

I was blown away by the fact that I dialed in my normal Two Rock settings that I use live on the plug in and it sounds and reacted exactly the same, wow!

I’m a firm believer in “if it’s good, it’s good”. And I have used real tube amps AND amp modeling technology on my recordings for a very long time. They really nailed the glassy, responsive touch of a mic’d up Bloomfield on this plugin!

I’m amazed at how I’m able to dial this in the same way as the real thing!! The touch sensitivity is quite remarkable. And the cabinet micing is really intuitive for creating big sounds with one guitar track.

It’s amazing to finally have a Two Rock inside my laptop, with me at all times. It gives you those lush clean and crisp Two Rock tones, with the warmth and feel of a real amp. It’s just what I’ve been looking for! I haven’t any found other plugin that sounds this good for clean guitar tones.

My biggest complaint with most amplifier recreations in the digital realm is that they don’t feel like real amps. This plugin is the closest to the real experience of playing an amp I’ve encountered. Well done Mixwave and Two Rock!

Using the CA-70S has made even the cheapest string and pad VSTs feel real and warm.

I hear those MixWave plugins everytime one of my current, biggest mixes is played on the radio.

The VLC is my new go-to plug in to eliminate harshness and add fullness effortlessly.

The Hazelrigg VLC is a great tool for simple and effective results. The broad stroke EQ helps contour sound in a unique way and the 3 way selector has great tonal differences.

After using the Hazelrigg VLC, so many of my plugins are going unused. The sound of this thing is tremendously good.

Mixing with this plug-in is a total breeze. The Hazelrigg VLC makes everything stand out and it just sounds right.

Not only has the Hazelrigg VLC sped up my workflow, it has help me achieve a tonality and saturation unlike I have achieved before.

I feel like I should cashapp you for what you just did for the audio community with this plugin. It doesn’t sound like a plugin at all!

The VLC has been living on my 2bus, vocals, drums, bass. It does something that I haven’t experienced in the digital realm until now.

The CA-70S is truly a magic bullet because it just makes everything sound better. It gives you that 3D front to back depth reminiscent of the analog days but without the limitations.

There are a lot of mojo box plugins on the market, yet the CA-70S has a different flavor than the others. Massive bottom and some nice dial-able warmth really sets it apart from the crowd. It's a great plug to add some spice to your mix or master!

The Hazelrigg VLC is immediately another MixWave plugin that I just won't mix without. If you're looking for real world analog in the digital domain, MixWave already makes it...

At first I really loved this VLC plugin… Now I’m convinced it’s one of the greatest plugins ever made.

MixWave has crushed it with this faithful recreation of one my favorite pieces of gear! It's very musical and easy to use. I throw it on an insert and every move I make with it has the potential to be the thing I need sonically.

Hazelrigg VLC has been a mainstay on various parts of my mix process. I used it most often on the vocal bus, it has a certain character and eq curve that I'm obsessed with!

The CA-70S sounds like adding a warm hug to any instrument.

As soon as I put the Hazelrigg VLC on a vocal my eyes opened up wide. It does everything I would want from a big tube box and the musicality of the inductor EQ is just remarkable. I honestly didn't think a sound like this could be captured in the digital realm yet. Seriously guys, amazing amazing job.

The CA-70S sounds good on everything and it won’t slew the image.

MixWave drums are not only great for composing demos, but are more than capable of sounding amazing on a finished product. I've never really been satisfied with any virtual instrument for programming drums until now. Game changer for sure!

I've never been more floored by a drum library right out of the gate than I was when I hit a snare sample in MixWave drums - I literally started laughing. Taylor Larson has lost his mind because if he keeps this up nobody will ever have to hire him again.

I’ve really enjoyed using these drums for writing and putting down ideas, they sound awesome out of the gate so you don’t have spend a lot of time making them sound good and instead can use that time to focus on writing and creativity. They also have really good dynamics, so you’re able to get a more human feel to the programming if that’s what you’re going for, enough can’t be said for something that gives you a great feeling to create with, all in all, great drums!

Photo Credit: Alex Kluft Photography

MixWave is my new gold standard. I’ve never had more people ask “What did you use for those drums?” before I started using MixWave in my productions. They will elevate both your demos AND final mixes to new heights.

I feel like I have been searching for the perfect drum library for years now. Drums are actually my first instrument, so I am super particular about them. There are some great companies out there but when I came across MixWave they just blew my mind. Their drum libraries are simply flawless. As if that wasn’t enough, they have also made some outstanding plugin replicas of some classic amps, my favourite of which is the Milkman Creamer. You really can’t tell the difference between the plug-in and the real thing. I feel as though MixWave are a company that really cares about the products they make and they are just a joy to work with in the studio. I was so impressed, I even bought their t-shirt!

These drum kits from MixWave have been indispensable to me when programming new live arrangements for the artists I work with. They allow me to get incredibly detailed, natural-sounding articulations across the kit to accurately depict what a real drummer would play live and to confidently use them as part of the arrangement when there isn't a live band involved. The quality and care put into the sampling of each individual element, plus the more "finished" sound they provide right out of the gate, soars far above anything I've used in the past.

I used the Pridgen kit to make the show intro for Rich Brian at Head in the Clouds last winter. Check it out here.

Photo Credit: Amber Paredes